"Pincas builds his paintings like the Nordic painters of the Renaissance by juxtaposing the theatrical groups… The job of the painter is also, for him, a work of memory, as well as the compelling need to pinpoint, gather, accumulate, and organize the people and objects the most disparate…Contrary to those fascinated by the working drawing that strives towards emptiness, Moreno Pincas suggests an ‘over full’. His paintings are a saturation of space by the proliferation of characters, shapes, and colors in what one could called ‘maximal art’, which rings like a challenge to laudators of minimalism.” Yves Kobry